Directed by Quentin Dupieux (aka French electro house musician Mr. Oizo) Rubber would make an effective concept for a music video. A car tyre arises from the desert and embarks on a killing spree across a dusty America town. The tyre dispatches its victims by deploying psychokenetic powers, usually to explode its victim’s heads. These proceedings are observed through binoculars by a crowd of spectators based on a nearby hilltop.
Rubber’s self-referential, ironic and minimalist execution edges it into art house territory. This is a film of ideas, concerned with making the silly, lofty and the lofty, silly. In a pleasing opening sequence a police officer spells out to the audience the central theoretical premise of the of the film – that ultimately things can occur for no reason. ‘In Stephen Spielberg’s ET why is the alien brown? No Reason.’ This hints at a kind of exploration of randomness, whereas the film is more concerned with a playfulness concerning the nature of reality and storytelling.
As this is ultimately a film about ideas, expect to be quirkily amused rather than emotionally enraptured. It skirts around the outside rather than delving deeply into those big ideas. It doesn’t utilise the toolkit of drama to pull out any astonishing turns and so despite its aesthetic purity and playful heart, the film comes over as a little shallow, a little distant and lacking in true dramatic impact. There are hints of potential here though. I can’t help thinking that with a dash more deviousness or a stronger serving of soul that Mr Dupieux could develop into a serious cinematic pull.
My name’s Ian. I’m a writer and Filmmaker from London currently shooting my second feature film – a detective thriller called Dead Unicorns
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